2014–2016 Reflecting on the adverse impact of mining materials as well as data, Mining the Arbitrary aims at extracting senseless numerical…
Cloud Harvest
2014–2016 Cloud Harvest is an installation consisting of a smartphone which has been deconstructed, its materials sorted based on their…
Artifacts
2015–2016 Artifacts is a wifi-based artwork, a collection of specimens which blur the lines between geological sample and digital anomaly.…
The Typesetter’s Ruminations
2015 Deconstructing technology down to its components, The Typesetter’s Ruminations draws connections between electronics, their mineral origins, and alphanumeric code. In…
Stepping into the Impossible
2013 Conceiving of thought as aesthetic formation, think a thought connecting all the other thoughts by the navel. Think impossible…
Mise en Abyme: the page as formal construct
2012 In this material experiment, I repeatedly scanned a piece of printing paper and printed the image of the paper…
On Sensitivity, Plants & Noise
2012 On Sensitivity, Plants and Noise emerged as an exploration in response to Arthur Schopenhauer’s treatise “On Noise”, in which he…
The Cinematic Imaginary
2012 The Cinematic Imaginary employs a stroboscopic effect to make manifest picnoleptic lapses of consciousness. Projecting moving and still frames onto…
Natural Deviations
2008 In my first solo exhibition, Natural Deviations, I reinterpreted the experience of a trip to Iceland through a spatial…