Rosemary Lee (b. 1986, Providence) is an artist and media researcher whose work considers how current discourses about art and technology are influenced by those of the past. Her installations often present alternate timelines for technologies, projecting a post-natural history inclusive of electronic media.
Rosemary Lee’s work has been presented in international contexts related to art and technology including LJUDMILA, RIXC, gnration, NeMe, V2_, Ars Electronica, transmediale, and HMKW. Her artistic research has been supported with fellowships funded by the Akademie Schloss Solitude, the European Media Art Platform, the Austrian National Library, the Danish Arts Foundation, Copenhagen Culture Harbor 365, the Arts Council Norway, Nordic Culture Point, the Vilém Flusser Archive Residency for Artistic Research, and Burning Athens. She is represented by Galerie Gilla Lörcher, Berlin since 2013.
Lee completed her PhD at the IT-University of Copenhagen in 2020 with the thesis Machine Learning and Notions of the Image. Her book Algorithm, Image, Art (2024) expands on that research. Lee teaches in the Multimedia program at the Faculty of Engineering at the University of Porto.
Contact
studio@rosemary-lee.com
instagram: @machine_agency
bluesky: @machineagency
researchgate.net/profile/Rosemary-Lee-3
Portfolio (pdf)
CV & Contact
Rosemary Lee
b. 1986 Providence, Rhode Island, USA
Based in Porto, Portugal
Awards & Funding
2024 Akademie Schloss Solitude Fellowship
2024 European Media Art Platform (EMAP) Residency
2023 Shortlist, EMAP Residency
2022 Shortlist, EMAP Residency
2022 4S/ESOCITE Travel Grant
2021 Leonardo Abstracts Service (LABS) Top-Rated Abstracts
2021 Shortlist, German Informatics Society AI Newcomer Award in Art
2017-2020 Internally-funded PhD Fellowship, IT-University of Copenhagen
2017 Statens Kunstfond Production Grant
2017 Art & Technology Project Support, Arts Council Norway
2017 Nordic Culture Point Mobility Funding
2017 Kulturhavn 365 Project Support
2017 Statens Kunstfond Open Residency Pool Grant
2017 Statens Kunstfond Arbejdslegat
2016 Statens Kunstfond Open Residency Pool Grant
2016 Statens Kunstfond Production Grant
2015 Statens Kunstfond Arbejdslegat
2008 SAIC Graduation Fellowship
2007 Ike and Florence Sewell Scholarship
2004-2008 SAIC Merit-Based Tuition Grants
Solo Exhibitions
2022 Myth, Magic, Machines, with Miguel Carvalhais, gnration, Braga, Portugal
2021 Cryptographics, ONB Labs, Vienna, Austria
2019 image machine / machine image, Galerie Gilla Lörcher, Berlin, Germany
2015 The Typesetter’s Ruminations, Galerie Gilla Lörcher, Berlin
2015 Artifacts, Palais des Beaux Arts, Vienna
2013 Stepping into the Impossible, Galerie Gilla Lörcher, Berlin
2009 It Happens that the Stage Sets Break Down, LivingRoom Gallery, Chicago, USA
2008 Natural Deviations, Phaiz, Chicago
Selected Group Exhibitions
2025 xCoAx, Dundee University, Scotland
2025 Calcular na Areia 4, Casa do Brasil, Santarém, Portugal
2025 Calcular na Areia 3, Casa do Brasil, Santarém
2025 Research to Transform, Museum of the Faculty of Fine Arts of the University of Porto
2024 Unfolding Technical Objects, Museum of the Faculty of Fine Arts of the University of Porto
2024 AI and Art – Navigating New Creative Landscapes, NeMe Arts Centre, Limassol, Cyprus
2023 Parameter Generative Arts Fair, Kino Šiška, Ljubljana, Slovenia
2023 Krypto: Decrypting the Artist, NeMe, Limassol
2022 Seasonal.Digital, Galerie Gilla Lörcher, Berlin
2022 Becoming Geological, V2_, Rotterdam, Netherlands
2022 xCoAx, University of Coimbra, Portugal
2022 Espaço/Programa, Cerveira Art Biennial Foundation, Cerveira, Portugal
2021 Seasonal.Digital, Galerie Gilla Lörcher, Berlin
2020 Small Wonders, Galerie Gilla Lörcher, Berlin
2020 Reprogramming Earth, NeMe, Limassol
2019 Perpetual Interpreter, LOKALE, Copenhagen, Denmark
2019 SCREENSHOTS, Galleri Image, Aarhus, Denmark
2018 Ubiquitous Futures, CATCH, Helsingør, Denmark
2018 machines will watch us die, The Holden Gallery, Manchester, England
2017 A New We, Kunsthall Trondheim, Norway
2016 Hybrid Matters, Nikolaj Kunsthal, Copenhagen
2015 TRANSART, Dome of Visions, Copenhagen
2015 Forårsudstillingen, Kunsthal Charlottenborg, Copenhagen
2014 Lovelace, C4 Projects, Copenhagen
2014 Obsessive Sensing, LEAP, Berlin
2014 Interactor, Victoria Art Center, Bucharest, Romania
2014 transmediale: Afterglow, HKW, Berlin
2014 The Inhabited Interface, bb15, Linz, Austria
2013 Pitch Drop, Science Friction, Copenhagen
2013 Going Dark, LEAP, Berlin
2013 XV Call, Luis Adelantado, Valencia, Spain
2012 Crash of Tests, ping12 documentation, Kassel, Germany
2012 Crash of Tests, Westwerk, Hamburg, Germany
2012 Crash of Tests, Walden Kunstausstellungen, Berlin
2012 MONO//TON//POLY//CHROM, Freies Museum Berlin
2011 YOLK, Panke, Berlin
2010 Body Implement, SoundsuitShop, Chicago
2010 Mischief Night, Hyde Park Art Center, Chicago
2009 The Yield, Heaven Gallery, Chicago
2009 70 Days for 70 Years, Hyde Park Art Center, Chicago
2007 Objects, Actions, Participation, Messhall, Chicago
Residencies
2025–6 Akademie Schloss Solitude Fellowship, Stuttgart, Germany
2024 EMAP Residency, Limassol
2021 ONB Labs Web Residency, Austrian National Library, Vienna
2017 Ayatana Biophilia Artists’ Research Programme, Ottawa, Canada
2016 rural_scapes Laboratory in Residence, São José do Barreiro, Brazil
2014 transmediale Vilém Flusser Residency for Artistic Research, Universität der Künste Berlin
2013 Burning Athens Residency for Art and Critical Theory, Athens, Greece
2009 Harold Arts Residency, Chesterfield, USA
Gallery Representation
2013–present Galerie Gilla Lörcher, Berlin
Education
2020 PhD, IT-University of Copenhagen
Department of Digital Design
Supervisors: Laura Beloff & Sebastian Risi
“Machine Learning & Notions of the Image”
2018 Research Stay Abroad, Goldsmiths, University of London, England
Department of Media, Communication, & Cultural Studies (MCCS)
Supervisor: Luciana Parisi
2012 MA with Distinction, The European Graduate School, Saas-Fee, Switzerland
Division of Media & Communications
Supervisor: Wolfgang Schirmacher
“The Aesthetic Imaginary”
2008 BFA with Honors, The School of the Art Institute of Chicago (SAIC)
Emphasis in Fiber and Material Studies
Keynotes
2024/10/25 Behind the Algorithmic Image, RIXC Art Science Festival, Riga, Latvia
2024/10/12 Algorithm, Image, Art, gnration, Braga
2024/09/12 Algorithm, Image, Art, Unfolding Technical Objects, FBAUP, Porto
2023/08/26 Behind the Algorithmic Image, Ars Electronica x IDSA FOUNDING LAB Summer School 2023, Linz
2022/06/24 Deconstructing Representation, AI Infrastructures for Civil Society and the Arts, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
2022/04/23 Art Involving Computation vs. Computational Art, Espaço/Programa, Cerveira Art Biennial Foundation
2019/10/18 The Image After Algorithmic Media, Problematizing Algorithms: Methods and Approaches, Nordic Perspectives on Algorithms Workshop, IT-University of Copenhagen
2017/12/14 Seeing with Machines, VL-Group Presentation, IT-University of Copenhagen
Talks & Lectures
2025/04/25 Algorithmic Aesthetics, REAL Lab Meeting, IT University of Copenhagen
2025/04/24 Algorithm, Image, Art, Center for Digital Play, IT University of Copenhagen
2025/04/23 Algorithm, Image, Art, Digital Aesthetics Research Centre (DARC) and the Centre for Aesthetics of AI Images (AIIM), Aarhus University
2024/11/18 Behind the Algorithmic Image, Faculty of Fine Arts, University of Lisbon, Portugal
2024/06/22 A Structural Plan for Imitation: Engines of Differentiation, AI and Art — Navigating New Creative Landscapes, Cyprus University of Technology, Limassol
2024/03/21 A Structural Plan for Imitation: Engines of Differentiation, EMAP Network Meeting, Cyprus University of Technology, Limassol
2024/02/29 Behind the Algorithmic Image, The Algorithmic State: Adversarial Aesthetics, School of Visual Arts, New York, USA
2022/12/08 Diagrammatic Visualisation, 4S/ESOCITE, Ibero-American University Puebla, Cholula, Mexico
2023/11/02 Technosolutionism & Broken Promises: The Rise & Fall of Crypto Art, Moneylab #13, NeMe, Limassol
2023/05/30 Data-based Aesthetics: Modelling Visual Interpretation, Ecole Média Art du Grand Chalon, France
2023/03/14 Critical Approaches to Machine Learning, Albertay University, Dundee
2023/03/07 Machine Learning in Visual Culture, Albertay University, Dundee
2023/01/31 AI in Artistic Practice, LUCA School of Arts, Brussels, Belgium
2022/11/17 Sharing a Point of View with the Inanimate, Operational Media Symposium, University of Oslo, Norway
2022/06/22 Mediation and Environment, International Conference on Live Interfaces (ICLI), Lusófona University, Lisbon
2022/06/16 Analysis Paralysis and a Bag of Bad Ideas, Art Meets Radical Openness Festival, Architekturforum Oberösterreich, Linz
2021/09/09 After Novelty, Academy of Thoughts: Critical Data at the Ars Electronica Festival, Interface Cultures, Kunstuniversität Linz
2021/03/24 Machine Learning & the Image: History, Theory & Practice, LUCA School of Arts, Brussels
2021/01/29 Machine Learning & Notions of the Image, Hybrid Intelligentia in Art & Science, Hybrid Lab Network, International
2020/11/27 Machine Learning & Notions of the Image, Machine Image Workshop, Aarhus University
2020/11/12 Machine Learning & Notions of the Image, University of Porto
2019/11/28 Evidencing Reality Through Algorithmic Media, Leonardo Art Science Evening Rendezvous (LASER) Talks, University of Porto
2019/11/27 Seeing with Machines: The Image After Algorithmic Media, University of Porto
2019/10/19 Deconstructing Representation, Nordic Perspectives on Algorithms, IT-University of Copenhagen
2019/06/17 How Can We Trust Our Images?, IoT Week, ARoS Kunstmuseum, Aarhus
2019/03/08 The Expanded Image, SCREENSHOTS, Kunsthal Aarhus
2019/02/01 Operative Image: Automation and Autonomy, Machine Feeling, transmediale, Berlin
2019/01/25 The Image Is a Machine, Galerie Gilla Lörcher, Berlin
2018/10/30 Seeing with Machines, MCCS PhD Colloquium, Goldsmiths, University of London
2018/04/30 IT Star Lecture, IT-University of Copenhagen
2014/02/01 Molten Media, transmediale, Haus der Kulturen der Welt (HKW), Berlin
2013/07/18 The Tyranny of the Free, Kunsthalle Athena, Athens
2013/02/20 Immaterial Transformation: Maps Leading Nowhere & Everywhere, The School of the Art Institute of Chicago
Conference Paper Presentations
2025/07/10 A Structural Plan for Imitation: Engines of Differentiation, xCoAx 2025, V&A Dundee
2025/04/03 Rethinking Media Art: on zombie media and perpetual instability, Multimodus’25, University of Évora, Portugal
2022/09/25 process==structure, Transdisciplinary Imaging Conference, University of Central Asia, Naryn, Kyrgyzstan
2022/07/08 Cryptographics, International Conference on Computation, Communication, Aesthetics & X (xCoAx), University of Coimbra, Portugal
2020/11/20 Spectral & Procedural Creativity: A Perspective from Computational Art, Artificial Creativity, Malmö University, Sweden
2020/11/07 Machine Learning & the Mediating Tendencies of the Image, Transdisciplinary Imaging Conference, UNSW, Sydney, Australia
2019/08/21 Soundwalking & Algorithmic Listening, Media Art Histories, Aalborg University, Denmark
2019/06/20 Net Art & the Performance of Images, A Research Infrastructure for the Study of Archived Web Materials, University of Amsterdam, Netherlands
2019/06/05 Aesthetics of Uncertainty, xCoAx, Milan, Italy
2018/06/26 Seeing with Machines: Decipherability & Obfuscation in Adversarial Images, International Symposium on Electronic Art (ISEA), Durban University of Technology, South Africa
2018/05/15 The Limits of Algorithmic Perception, Politics of the Machines, Aalborg University, Copenhagen
2018/04/26 Seeing with Machines: An Investigation into Hybrid Agency, Radical Relevances, Aalto University, Espoo, Finland
2015/12/11 Bioinformatic Poetry, Aesthetics, Ethics & Biopolitics of the Posthuman Conference, Aarhus University
2013/06/07 Critical Encounters with Art & Economics, Pedagogies of Disaster, National Historical Museum, Tirana, Albania
2011/05/11 Communal Bodies, International Conference of the Arts in Society, Berlin-Brandenburg Academy of Sciences & Humanities, Berlin
Participation in Debates & Colloquia
2025/04/06 Panelist, Interconnected Intelligences, Earthsea Association & Livraria Cassandra, Porto
2024/07/12 Moderator, Keynote by Christa Sommerer, The Artwork as a Living System, xCoAx, Fabrica, Treviso, Italy
2023/07/06 Moderator, Keynote by Joanna Zylinska, After AI Art, xCoAx, Cultural Center mon ami, Weimar, Germany
2023/02/04 Panelist, We Have Always Been Geological, transmediale, Akademie der Künste, Berlin
2022/12/08 Panelist, Diagrammatic Visualisation, Templates, 4S/ESOCITE, Ibero-American University Puebla, Cholula
2022/07/07 Moderator, Keynote by Winnie Soon, Coding Otherwise for SOFTer Futures, xCoAx, University of Coimbra
2022/06/22 Panelist, Mediation and Environment, ICLI, Lusófona University, Lisbon
2022/06/13 Panelist, Art Intelligence, ISEA, Centre de Cultura Contemporània de Barcelona, Spain
2022/04/14 Panelist, Art Engangled, World Quantum Day, CONNECT Centre, Trinity College Dublin, Ireland
2021/09/09 Panelist, Roundtable on Critical Data, Kunstuniversität Linz
2021/07/15 Moderator, Keynote by Špela Petrič, On The Vegetariat in Times of Surveillance Societies, xCoAx, University of Music & Performing Arts Graz, Austria
2021/06/17 Moderator, Keynote by Anna Ridler, Blooms & Bubbles: Tulips, Blockchain & Manias, Creativity Talks, University of Porto
2019/11/14–15 Participant, What is the Art in Artificial Intelligence?, Workshop, Center for Advanced Internet Studies, Bochum, Germany
2019/09/09 Participant, Predicting Security and the Insecurity of Prediction Seminar, University of Copenhagen
2019/08/19 Chair, Sound in the Cross-section of Biological & Technological, Media Art Histories, Aalborg University, Aalborg
2018/05/17 Chair, Algorithms & Art Track Session 4, EVA Copenhagen, Aalborg University, Copenhagen2018/05/16 Chair, Algorithms & Art Track Session 3, EVA Copenhagen, Aalborg University, Copenhagen
Workshop Facilitation
2025/04/05 Imitation Aesthetics, Interconnected Intelligences, Earthsea Association & Livraria Cassandra, Porto
2025/01/23 Situating Algorithmic Practices, Earthsea Winter School, Porto
2024/10/25 EMAP AI + Art Capacity Building Workshop, RIXC Art Science Festival, Riga
2023/05/31–06/02 Data-based Aesthetics, École Media Art du Grand Chalon, Chalon-sur-Saône
2023/03/20 Applied Analytics: Case Studies, Critical Approaches to Machine Learning, Albertay University, Dundee
2023/03/13 Applied Analytics: Case Studies, Deconstructing Representation, Albertay University, Dundee
2021/09/06 Resilience in the New Real Development Workshops, Session 2, Edinburgh College of Art, Scotland
2021/08/29 Resilience in the New Real Development Workshops, Session 1, Edinburgh College of Art
2021/02/23 Do Androids Dream of Electric Images? 4, Royal Danish Academy of Fine Arts, Copenhagen
2021/02/16 Do Androids Dream of Electric Images? 3, Royal Danish Academy of Fine Arts, Copenhagen
2021/02/09 Do Androids Dream of Electric Images? 2, Royal Danish Academy of Fine Arts, Copenhagen
2021/02/02 Do Androids Dream of Electric Images? 1, Royal Danish Academy of Fine Arts, Copenhagen
2017/11/01 Break-IT Arduino Workshop, IT-University of Copenhagen
2017/08/17 Hydrofeminism: Becoming a Body of Water, Kulturhavn 365, Copenhagen
2017/04/20 Entering into Relation with an Object: Vibrant Matter, C4 Projects, Copenhagen
2016/10/30 Mapping the Wasp 5, rural_scapes, São José do Barreiro
2016/10/29 Mapping the Wasp 4, rural_scapes, São José do Barreiro
2016/10/23 Mapping the Wasp 3, rural_scapes, São José do Barreiro
2016/10/16 Mapping the Wasp 2, rural_scapes, São José do Barreiro
2016/10/09 Mapping the Wasp 1, rural_scapes, São José do Barreiro
2016/09/09 Entering into Relation with an Object: Hyperobjects, Age of Aquarius, Copenhagen
2016/05/12 Entering into Relation with an Object: Umwelt, Goldsmiths, University of London
2016/03/17 Entering into Relation with an Object: I Eat an Apple, NLH Space, Copenhagen
2016/02/18 Entering into Relation with an Object: Umwelt, NLH Space, Copenhagen
2014/07/12 Protogaea, Museum für Naturkunde Berlin
2014/06/10 Molten Media, Universität der Künste Berlin
Committee Work
2024–present Working Group 2, COST Action ARTinRARE [CA23158]
2018–present Scientific Committee, xCoAx
2025 PhD Jury, Murdoch University, Perth, Australia
2024 Remote Evaluation by External Experts, COST Association
2024 Scientific Committee, International Conference on Artistic Research
2024 Scientific Committee, Journal for Artistic Research
2024 Scientific Committee, Journal of Science and Technology of the Arts
2024 Scientific Committee, Iperstoria
2024 External Jury, PhD Project Review, PhD Programme of Science & Technology of the Arts, Católica University, Portugal
2022 Art and Computation Retreat Jury, German Informatics Society, Goethe-Institut & Weizenbaum-Institut
2020 Peer Review Panel, Leonardo Journal
2019 Women in Research Working Group, IT-University of Copenhagen
2019 Exhibition Jury, Internet Moon Gallery
2018 Organizing Committee, ITU Digital Design Summer Seminar
2018 Organizing Committee, EVA Copenhagen Conference & PhD Course
2018 PhD Council, IT-University of Copenhagen
Performances
2012/10/6 Untitled [Social Isolation], Galerie Toolbox, Berlin
2012/9/12 On Sensitivity, Plants & Noise, Galerie Toolbox, Berlin
2012/9/5 On Noise & Sensitivity, Ping12 Dokumentation, Kassel
2012/8/21 On Noise & Sensitivity, Walden Kunstausstellungen, Berlin
2010/10/20 Spectacle du Société du Spectacle, Hyde Park Art Center, Chicago
2008/1/20–25 Wind-Up: Walking the Warp, with Anne Wilson, Rhona Hoffmann Gallery, Chicago
Curatorial Projects
2017 Entering into Relation with an Object: An Intimate Connection Vol. 2, C4 Projects, Copenhagen
2015 Maps of the Imaginary, Playground for Open Research, Copenhagen
2014 Analogic Bodies, Husets Biograf, Copenhagen
2014 Cosmic Death, Walden Kunstausstellungen, Berlin
2012 MONO//TON//POLY//CHROM, Freies Museum Berlin
Publications
Books
Rosemary Lee, Algorithm, Image, Art. (New York: Atropos Press, 2024).
ISBN: 978-1-73755-914-6
Rosemary Lee, Algorithm, Image, Art. Translation to Chinese. (Beijing: Zhejiang People’s Fine Arts Publishing House, forthcoming).
Rosemary Lee. Molten Media. (Berlin: transmediale, 2014).
researchgate.net/publication/345939102_Lee-Rosemary-Molten-Media
PhD Thesis
Rosemary Lee, “Machine Learning and Notions of the Image” (PhD Thesis, Copenhagen, IT University of Copenhagen, 2020).
ISBN: 978-87-7949-043-7v
Book Chapters
Rosemary Lee, “Operative Image: Automation and Autonomy.” In Design&Conflicts 02, edited by Andrea Facchetti. (Brescia: Krisis Publishing). (forthcoming)
Rosemary Lee, “The Double-edged Blade of Technological Appropriation.” Edited by Katerina Gkoutziouli and Voltnoi Brege. (Athens: VEKTOR). (forthcoming)
Rosemary Lee, “Immagini Sintetiche Ed Estetica Dei Dati.” In AI&Conflicts 02, edited by Daniela Cotimbo, Francesco D’Abbraccio, and Andrea Facchetti, translated by Rachele Cineari and Francesca G. Di Lorenzo. (Brescia: Krisis Publishing, 2025), 204–221.
ISBN: 9788894740158
Rosemary Lee, “Flusser and Forgetting.” & “process==structure” In Dead & Alive: Reflections on Media / Art, edited by Olle Essvik and Lars Kristensen. (Göteborg: Rojal Förlag, 2024), 41–3; 108–9.
ISBN: 978-91-984927-3-6
Rosemary Lee, “NatureSoft.” In The Glenkeen Variations: ArtNature/NatureArt, edited by Christiane Riedel and Ben Livne Weizman. (Frankfurt am Main: Crespo Foundation, 2024), 116–25.
ISBN: 978-3-95476-674-1
Rosemary Lee, “Absorption, Saturation, Toxicity, Elimination,” in Becoming Geological, ed. Martin Howse (Rotterdam: V2_ Publishing, 2022), 149–58.
ISBN: 978-90-828935-6-4
Rosemary Lee, “Machine Learning and the Mediating Tendencies of the Image,” in Dark Eden: Transdisciplinary Imaging at the Intersections of Art, Science and Culture, ed. Edward Colless et al. (Melbourne: Art + Australia, Victorian College of the Arts, University of Melbourne, 2022), 117–21.
ISBN: 978-0-6455443-0-5
Rosemary Lee, “The Tangential Realism of @PepitoTheCat,” in Book of X, ed. Miguel Carvalhais et al. (Porto: i2ADS, University of Porto, 2022), 79–89.
ISBN: 978-989-9049-26-0
Rosemary Lee, “Art Involving Computation vs. Computational Art,” in Espaço/Programa (Cerveira: Fundação Bienal de Arte de Cerveira, 2022), 41–47.
ISBN: 978-989-98515-7-3
Rosemary Lee, “Anna Ridler, Mosaic Virus,” in Kinetismus: 100 Years of Electricity in Art, ed. Peter Weibel and Christelle Havranek (Berlin: Hatje Cantz, 2022), 196.
ISBN: 978-3-7757-5197-1
Rosemary Lee, “Resilience as a Critical Approach to Technology,” in Rewilding Culture, ed. Erich Berger et al. (Ljubljana: Zavod Projekt Atol, 2021), 72–82.
ISBN: 978-961-92449-7-5
Peer-Reviewed Publications in Academic Journals
Rosemary Lee and Miguel Carvalhais. “Rethinking Media Art in a Time of Pervasive Computation.” Vista: Journal of Visual Culture, November 13, 2024.
DOI: 10.21814/vista.5903
Rosemary Lee, “Synthetic Images: Data-based Aesthetics,” Live Interfaces 1 (December 2023).
liveinterfacesjournal.ulusofona.pt/synthetic-images-data-based-aesthetics/
Sheila Pinkel et al., “Top-Rated LABS Abstracts 2021,” Leonardo 55, no. 5 (October 2022), 497–502.
DOI: 10.1162/leon_a_02254
Carvalhais, Miguel, and Rosemary Lee. “Spectral and Procedural Creativity: a Perspective on Artificial Creativity through Computational Art”. Transformations: Journal of Media, Culture and Technology, 36.
transformationsjournal.org/wp-content/uploads/2022/02/Trans36_05_carvalhais_lee.pdf
Rosemary Lee. “Machine Learning and the Mediating Tendencies of the Image”. In Dark Eden Transdisciplinary Imaging Conference 2020. figshare, November 2021.
DOI: 10.6084/m9.figshare.16993315.v2
Carvalhais, Miguel, and Rosemary Lee. “Soundwalking and Algorithmic Listening”. In Proceedings of RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. Aalborg, Denmark, 51–56. Electronic Workshops in Computing, 2019.
DOI: 10.14236/ewic/RESOUND19.8
Rosemary Lee. “Uncertainties in the Algorithmic Image”. Journal of Science, Technology and the Arts, 11 no. 2 (May 2019): 36–40.
DOI: 10.7559/citarj.v11i2.661
Rosemary Lee. “The Image Is a Machine.” A Peer-Reviewed Newspaper, A Peer-Reviewed Journal About (APRJA), Machine Feeling, Aarhus University 8 (2019): 20- 21.
machinefeeling2018.home.blog/2018/12/10/procedural-logic-and-automated-art/
Rosemary Lee. “The Limits of Algorithmic Perception: Technological Umwelt”. In Proceedings of EVA Copenhagen 2018, Copenhagen, Denmark, Electronic Workshops in Computing, 44 (2018): 6.
DOI: 10.14236/ewic/EVAC18.44
Rosemary Lee. “Crystallisation as a Research Process”. Journal for Research Cultures, Epistemic Practices in Arts and Technology, 1 no. 1 (December 2015): 7.
rc.riat.at/issues/1/crystallisation-as-a-research-process.html
Rosemary Lee. “The Sand Timer.” Continent, 4 no. 2 (2015): 67–70.
continentcontinent.cc/index.php/continent/article/view/186
Rosemary Lee. “Interiority Exteriority and Techno Clubs.” Flusser Studies, 17 (June 2014). flusserstudies.net/sites/www.flusserstudies.net/files/media/attachments/rosemary-lee-interiority-exteriority-and-techno-clubs.pdf
Rosemary Lee. “Communal Bodies.” The International Journal of the Arts in Society: Annual Review 6, Common Ground Publishing, 2011, 265–70.
DOI: 10.18848/1833-1866/CGP/v06i02/36010
Peer-Reviewed Publications in Conference Proceedings
Rosemary Lee. “A Structural Plan for Imitation”. In xCoAx 2025 Proceedings of the Tenth Conference on Computation, Communication, Aesthetics & X, 287–289. 2025.
2025.xcoax.org/xcoax2025.pdf
Rosemary Lee. “Cryptographics”. In xCoAx 2022 Proceedings of the Tenth Conference on Computation, Communication, Aesthetics & X, 312–317. 2022.
2022.xcoax.org/xcoax2022.pdf
Rosemary Lee. “Aesthetics of Uncertainty”. In Proceedings of the 7th Conference on Computation, Communication, Aesthetics and X, 256–62, 2019.
2019.xcoax.org/xCoAx2019.pdf
Rosemary Lee. “Seeing with Machines: Decipherability and Obfuscation in Adversarial Images”. In ISEA 2018 Proceedings of the 24th International Symposium on Electronic Art, Durban, 2018, 321–24.
researchgate.net/publication/393096994_Seeing_with_Machines_Decipherability_and_Obfuscation_Rosemary_Lee_aSeeing_with_Machines_Decipherability_and_Obfuscation_in_Adversarial_Images
Interviews & Other Publications
Rosemary Lee. “Image Machinery”. The Grey Box, In a World of Machines, 1 no. 1 (October 2019): 3. thegreybox.org/essays/image-machinery
Costantin, Patrizia. “In Conversation with Rosemary Lee and Martin Howse” In Machines will watch us die. Manchester: Manchester School of Art, The Holden Gallery, 2018. pp. 8–10. Interview.
researchgate.net/publication/330485498_machines_will_watch_us_die_Exhibition_catalogue_Manchester_The_Holden_Gallery_5_April-11May_2018
Rosemary Lee, and Manuel Minch. “Art on the Moon?” Continent, 7 no. 1 (2018): 82–85. Interview.
continentcontinent.cc/index.php/continent/article/view/310
Wacherhausen, Uffe, and Rene Georg. “HYBRID MATTERS”. Nikolaj Kunsthal. 2016. Video interview.
vimeo.com/172588865
Rosemary Lee. In Three Questions on Media Criticality. Basel: Critical Media Lab Basel. 2015.
threequestions.ixdm.ch
Gansing, Kristoffer. “Museum walk and discussion: Protogaea”. transmediale. 2014. Video interview.
archive.transmediale.de/content/video-museum-walk-and-discussion-protogaea
O’Heilly, David, and Gabin Ito. Rosemary Lee Anmerkung. Tokyo: BCCKS. 2014.
bccks.jp/viewer/119794/tachiyomi#!/spread:1
Mickel, Fridey. “A Chat with Rosemary Lee.” Exberliner. 2013. Interview.
exberliner.com/features/opinion/a-chat-with-rosemary-lee/
Exhibition Catalogues & Art Publications
Rosemary Lee, and Miriam Wistreich. “Hydrofeminism: Becoming a Body of Water”. In Kulturhavn 365. Copenhagen: Kulturhavn 365. 2018. pp. 106–107.
issuu.com/kulturhavn365/docs/kulturhavn365_bog_issuu
Rosemary Lee. “Sonic Cannibal” & “On Sensitivity, Plants & Noise”. In TRANSART – en Forsamling på Tværs af Arter. Copenhagen: Laboratory for Aesthetics and Ecology. 2015. pp. 18–19.
static1.squarespace.com/static/572387e47c65e48584efa5ea/t/57baf9092994cac731b8fe14/1471871256396/LABAE_Transart_Product-descriptions_Final.pdf
Rosemary Lee, and Jens Jørgensen. “Mining the Arbitrary”. In Charlottenborg Forårsudstilling 2015. Copenhagen: Charlottenborg Fonden. 2015. p. 44.
ISBN: 978-87-991901-4-0
Rosemary Lee. (Unitlted). In The Other Face of the Frappé, edited by Pietro Bonfanti. Athens: Pietro Bonfanti. 2014. Zine. pp. 44–51.
issuu.com/pietrobonfanti1/docs/the_other_face_of_the_frappe
Rosemary Lee. Stepping Into the Impossible. Berlin: Galerie Gilla Lörcher. 2013.
Rosemary Lee. In Zupančič, Alenka. Sobre la Comedia: un Extraño en Casa. México D.F: Paradiso Editores. 2012. Cover image.
paradiso-editores.com/sobre_la_comedia.html
Duarte, Carla, Annie Egleson, Surabhi Ghosh, Jongock Kim, Rosemary Lee, Christie Matson, Sarah Moore, Jeroen Nelemans, Sara Rabinowitz, Rana Siegel, Mike Slattery, and Anne Wilson. “Wind-Up: Walking the Warp”. In Hemmings, Jessica. Warp & Weft: Woven Textiles in Fashion, Art and Interiors. London/Berlin/New York/Sydney: Bloomsbury. 2012. pp. 127–129.
academia.edu/1877552/Warp_and_Weft_Woven_Textiles_in_Fashion_Art_and_Interiors_Bloomsbury_2012
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